Possibly only very few know that Travis is more respected than Coldplay in Britain. The Scottish quartet had already established a reputation, and that is making "fucking depressing songs", quote Sacha Baron Cohen's Ali-G. They have made 4 albums spanning their entire career, and although not as prolific as they could be, every album release in nonetheless an acclaimed effort. Their 5th album is without any exception. They have still depressing songs, but if one is looking for the greatness of "Driftwood" or perhaps "Why Does It Always Rain On Me" in this album would have to be open-minded enough to fully appreciate their melancholies. THE BOY WITH NO NAME, to say, is an expertly produced album, never drowns in over-sentimentality yet still brims with so much heart, wit and intelligence to be proud for.

Their modus operandi is sticking to what they're good at. One paradigm is "Closer", the album's most beautiful song that sweeps you up in its heights, an epic love-letter to anyone, may it be a bestfriend or a lover. They also pull out their punches and guitar riffs with the upbeat "Selfish Jean", and the whimsical "Big Chair". The album is just a harmony of melodies, from "Battleships", "Eyes Wide Open", and "My Eyes". The last track "New Amsterdam" is even an endearing masterpiece. And for those who buy the original CD, you get to listen to free tracks, one superb example is "River". Fran Healy's vocals is an excellent accompaniment to the songs' simplicity.


VERDICT:

A beautifully refined work of respected music by a much revered Brit band. THE BOY WITH NO NAME is perhaps one of Travis's best albums to date, and thus defining it to be a classic, with a modern twist.


Best Tracks: Closer, New Amsterdam, Selfish Jean, Big Chair, Battleship


RATING: A